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BANANANANANANANA - Printable Version +- -TWC| Forum (https://board.twcclan.org) +-- Forum: Offtopic (https://board.twcclan.org/forum-28.html) +--- Forum: Spam (https://board.twcclan.org/forum-30.html) +--- Thread: BANANANANANANANA (/thread-8536.html) |
RE: BANANANANANANANA - Number - 17-11-2019
RE: BANANANANANANANA - Tuksi - 18-11-2019
RE: BANANANANANANANA - Number - 20-11-2019 Stick is a fictional character appearing in American comic books published by Marvel Comics. Stick appeared in the Marvel Cinematic Universe Netflix television shows Daredevil and The Defenders played by Scott Glenn. He was the leader of a group called the Chaste. He trained a young Matt Murdock how to fight and protect himself. He occasionally drops in whenever he needs a favor from Matt. He trained a young Elektra how to fight as well. He tried to help Matt and the other Defenders fight the Hand. RE: BANANANANANANANA - Tuksi - 20-11-2019 Diffusion-limited escape occurs when the rate of atmospheric escape to space is limited by the upward diffusion of escaping gases through the upper atmosphere, and not by escape mechanisms at the top of the atmosphere (the exobase). The escape of any atmospheric gas can be diffusion-limited, but only diffusion-limited escape of hydrogen has been observed in our solar system on Earth, Mars, Venus and Titan.[1] Diffusion-limited hydrogen escape was likely important for the rise of oxygen in Earth's atmosphere (the Great Oxidation Event) and can be used to estimate the oxygen and hydrogen content of Earth's prebiotic atmosphere.[2][3][4] Diffusion-limited escape theory was first used by Donald Hunten in 1973 to describe hydrogen escape on one of Saturn's moons, Titan.[5][6] The following year, in 1974, Hunten found that the diffusion-limited escape theory agreed with observations of hydrogen escape on Earth.[7] Diffusion-limited escape theory is now used widely to model the composition of exoplanet atmospheres and Earth's ancient atmosphere.[8][9] RE: BANANANANANANANA - Number - 23-11-2019 Oxygen is the chemical element with the symbol O and atomic number 8. It is a member of the chalcogen group in the periodic table, a highly reactive nonmetal, and an oxidizing agent that readily forms oxides with most elements as well as with other compounds. By mass, oxygen is the third-most abundant element in the universe, after hydrogen and helium. At standard temperature and pressure, two atoms of the element bind to form dioxygen, a colorless and odorless diatomic gas with the formula O 2. Diatomic oxygen gas constitutes 20.8% of the Earth's atmosphere. As compounds including oxides, the element makes up almost half of the Earth's crust. Dioxygen is used in cellular respiration and many major classes of organic molecules in living organisms contain oxygen, such as proteins, nucleic acids, carbohydrates, and fats, as do the major constituent inorganic compounds of animal shells, teeth, and bone. Most of the mass of living organisms is oxygen as a component of water, the major constituent of lifeforms. Oxygen is continuously replenished in Earth's atmosphere by photosynthesis, which uses the energy of sunlight to produce oxygen from water and carbon dioxide. Oxygen is too chemically reactive to remain a free element in air without being continuously replenished by the photosynthetic action of living organisms. Another form (allotrope) of oxygen, ozone (O 3), strongly absorbs ultraviolet UVB radiation and the high-altitude ozone layer helps protect the biosphere from ultraviolet radiation. However, ozone present at the surface is a byproduct of smog and thus a pollutant. Oxygen was isolated by Michael Sendivogius before 1604, but it is commonly believed that the element was discovered independently by Carl Wilhelm Scheele, in Uppsala, in 1773 or earlier, and Joseph Priestley in Wiltshire, in 1774. Priority is often given for Priestley because his work was published first. Priestley, however, called oxygen "dephlogisticated air", and did not recognize it as a chemical element. The name oxygen was coined in 1777 by Antoine Lavoisier, who first recognized oxygen as a chemical element and correctly characterized the role it plays in combustion. Common uses of oxygen include production of steel, plastics and textiles, brazing, welding and cutting of steels and other metals, rocket propellant, oxygen therapy, and life support systems in aircraft, submarines, spaceflight and diving. RE: BANANANANANANANA - Tuksi - 23-11-2019 A barangay hall is the seat of local government for the barangay, the lowest elected administrative division of the Philippines, below that of a Philippine city or Philippine municipality. The barangay captain, the head of the barangay government, will often hold office there. The elected barangay council, the Sangguniang Barangay, will also hold its meetings there. The barangay hall also serves as a local community center often providing space for both permanent and temporary services and events. The barangay's day care center and office space for the tanods and the barangay health workers are often located there. Medical missions, religious services, fiestas, and sports contests are often held at or next to the barangay hall. Like many recent government buildings in the Philippines they usually have concrete block walls, galvanized iron roofs, and tiled floors. RE: BANANANANANANANA - Number - 23-11-2019 Freight transport is the physical process of transporting commodities and merchandise goods and cargo. The term shipping originally referred to transport by sea but in American English, it has been extended to refer to transport by land or air (International English: "carriage") as well. "Logistics", a term borrowed from the military environment, is also used in the same sense. RE: BANANANANANANANA - Tuksi - 23-11-2019 The Manila Metropolitan Theater (Filipino: Tanghalang Pangkalakhan ng Maynila, or MET) is a Philippine Art Deco building found near the Mehan Garden located on Padre Burgos Avenue corner Arroceros Street, near the Manila Central Post Office. It was designed by architect Juan M. Arellano and inaugurated on December 10, 1931.[1] Conception of theater In 1862, the Teatro del Príncipe Alfonso XII was built within Plaza Arroceros, near the present-day Metropolitan Theater. This theater stood until 1876, when the old theater was burnt down. It was in 1924, during the American Colonial period that the idea of constructing a theater in Manila came about. The Philippine Legislature then approved Senator Alegre's proposal to build a theater within the Mehan Garden (now Sining Kayumanggi). The construction began in 1930 under the supervision of the engineering firm Pedro Siochi and Company in an 8,239.58 square meter area of the park. It was inaugurated on December 10, 1931. This new theater housed different performances from zarzuelas, dramas to translations of foreign classics.[2] History of theater Juan Arellano, one of the first pensionados in architecture, also known for his other major projects such as the Legislative Building and Manila Central Post Office Building, designed the Manila Metropolitan Theater in January 1930. He was sent to the United States to be guided by one of the experts in designing theaters, Thomas W. Lamb of Shreve and Lamb.[3] The theater's roof and walls were partially destroyed during World War II. During the post-war period, it was misused as a boxing arena, low-quality motel, gay bar, basketball court and as a home for squatters. In 1978, a restoration of the theater was initiated by the then Governor of Metro Manila Imelda Marcos which was headed by Otilio, the nephew of Juan Arellano.[4] Its prestige as a cultural center was redeemed but proved to be short-lived. It closed down its doors again in 1996 because of conflicts of ownership between the Manila City Administration and the Government Service Insurance System (GSIS). In 2010, President Gloria Macapagal-Arroyo and Manila mayor Alfredo Lim tried to revive the theater but to no avail.[1] The theater was used again once for a Wolfgang concert in 2011. But since 2012, the theater was closed again due to decays inside the building. The structure continued to deteriorate and vandalism, political advertisements, promotional materials and trash now degrade the heritage theater. The theater has been protected using pieces of wood, scrap electrical wires and rundown plywood. Alleged paranormal activities in the theater was also reported.[5] Help continued to pour in at that time but lacked any concrete direction. In May 2015, the Department of Budget and Management released Php 270 Million from the National Endowment Fund for Culture and the Arts for the sale of the theater from its owner, the GSIS. In June 2015, the GSIS transferred the right of ownership of the theater to the National Commission for Culture and the Arts to start the rehabilitation process of the Met. Clean-up drives were started in December 2015, paving the way for the eventual restoration of the building by 2016.[6] As of October 2019, renovations have been ongoing. The restoration project is planning to open the two wings of the theater by 2020 and open the new Metropolitan Theater Complex by 2021.[7] Architecture The concept of the theater was explained by Juan M. Arellano, the architect, during one of his interviews in January 1930. The Philippines needed a modern cultural center for operas, concerts, and plays, and he planned to achieve a monumental one through its dimensions, elevations, and splendid decorations, and through its harmonious liens it would symbolize an organ or a cathedral.[citation needed] Arellano was influenced by early Filipino art which uses local motifs and diverse imagery of Philippine flora. Aside from his knowledge on Filipino art was the factor of economy which both helped the architect in having a modern design approach to the theater. Meanwhile, the phrase “on wings of song” gave the structural configuration, a box-shaped auditorium flanked by pavilions on both sides. The mix of modernization and romanticization resulted in A. V. H. Hartendrop labeling it as modern expressionism.[3] The Metropolitan Theater façade resembles a stage being framed by a proscenium-like central window of stained glass which carries the name “Metropolitan” with flora and fauna motif surrounding the label. This helps bring in light to the lobby. It was highlighted on both ends by the curving walls with colorful decorated tiles in resemblance with the batik patterns from Southeast Asia. There are also moldings of zigzag and wavy lines that go with the sponged and painted multi-colored massive walls. The wall that framed the stained glass is a segmented arch with rows of small finials on the upper edge of the wall.[3] Angkor Wat-inspired minarets crown the top of the concave roof which suggested its status as a theater back in its prime days. Located in the entrance are elaborate wrought iron gates which are patterned into leaf designs and various lines. Accenting the ground level are Capiz lamps and banana-leaf formed pillars which go alternately with the theater's entrances.[1] RE: BANANANANANANANA - Number - 24-11-2019 Joseph Eric Thornton (born July 2, 1979) is a Canadian professional ice hockey centre and alternate captain for the San Jose Sharks. He was selected first overall by the Boston Bruins in the 1997 NHL Entry Draft and went on to play seven seasons with the club, three as its captain. During the 2005–06 season, he was traded to the Sharks. Splitting the campaign between the two teams, he received the Art Ross and Hart Memorial Trophies as the league's leading point-scorer and most valuable player, respectively.[1] Thornton's on-ice vision, strength on the puck, deft passing ability and power forward style of play have led to him becoming one of the league's premier top line centres.[2] He is widely regarded as one of the best passers of all-time, and is one of only 13 players in history with 1,000 NHL assists.[3] Listed at 6-foot-4 and 220 pounds, he received the nickname "Jumbo Joe" or "Jumbo" due to his size and Jumbo the elephant who was killed in 1885 in St. Thomas, Ontario, where Thornton was born and raised.[4][5] RE: BANANANANANANANA - Tuksi - 24-11-2019 Discreetly Mine is an American thoroughbred race horse. Foaled in 2007, he won the Risen Star Stakes in February 2010, making him a contender for the 2010 Kentucky Derby. Bred in Kentucky by E. Paul Robsham, Discreetly Mine was sired by Mineshaft (by A.P. Indy), who was voted the 2003 American Horse of the Year. He is out of Pretty Discreet, a Grade I winner of the Alabama Stakes, herself a daughter of Private Account. This makes Discreetly Mine a half brother to Co-World Champion 3-Year-Old (2006) Discreet Cat (by Forestry). Discreetly Mine is owned by E. Paul Robsham Stables, LLC, trained by Todd A. Pletcher, and ridden by Javier Castellano. Two-year-old Campaign Discreetly Mine broke his maiden in his third career start at Saratoga Race Course in Saratoga Springs, New York. After this win, he was placed in the Grade II Belmont Futurity Stakes, where he finished second to D' Funnybone. His final two-year-old start was another second in the Grade 1 Champagne Stakes, where he was defeated by Homeboykris. |